The Haim sisters resist being pigeonholed in any particular genre because they frequently shift between styles between songs. So part of why Haim is receiving all of this buzz is because of who they are on paper the other part is because of how they sound on record. ![]() And what’s there not to be buzzed about? Three young sisters, making music that sounds like an updated Fleetwood Mac, equipped with synthesizers, guitars, and three-part harmonies? Sign me up! Their debut full-length record, Days Are Gone carries high expectations for a band that’s so likeable and promising that some have heralded them as The Next Big Thing* Their EP, Forever, is only three tracks long (I’m not counting that remixed track, are you?), but it was enough to create considerable buzz. In 2012, Haim (or HAIM, as it is sometimes stylized) released an EP, because well, if you’re gonna tour with Mumford & Sons, you better bring something to sell. ![]() ![]() Haim sounds great without having to write great songs.
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